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Ettore Sottsass, Shiro Kuramata, Nathalie Du Pasquier, Peter Shire
10 – 15 November 2020
We selected 10 highlighted pieces from “Memphis Milano” and “Post Design”. This is also the first exhibition of the “Memphis Milano” brand in China. We hope that these exquisite art collections can bring a unique journey for Chinese art lovers.
“Memphis Milano” is the great cultural phenomenon of the 1980s that revolutionized creative and commercial logics in design. Founded in Milan in 1981 by Ettore Sottsass. Born from the idea of Ettore Sottsass and a group of young designers and architects, coupled in the years by famous designers from the international scene, Memphis turned upside down all of the existing parameters on living. Ettore Sottsass as the backbone of the group, design gained a new concept and expression through new shapes, materials and patterns, expanding the creative limits of the industry. Memphis became a symbol of new design. Its influence is still clear in various sectors of production and beyond.
A true cultural phenomenon, Memphis really shook up the design codes by voluntarily placing itself outside the canons of “good taste” of the time. Out went the pure, hard functionalism and austerity Bauhaus-style, and in came fantasy with colourful and eccentric creations. The first Memphis collection hit like a bombshell: a proliferation of exuberant patterns, explosive colours, intrepid asymmetries, geometric shapes stacked up like totems, new use of plastic laminate considered “cheap” until then… Soon, Memphis became THE subversive label of Italian design with its wacky, colourful world inspired by comics, Pop Art, cinema, Kitsch and Art Deco. It was a revolution: design, until then confined to the showrooms, invaded the media and inflamed passion.
Within the confines of design, architecture, art and post-modernism, these exceptional pieces are now sought after by collectors around the world and exhibited in the most prestigious museums.
“Post Design” is an ambitious project of open investigation into the future, aimed to opening up e new path and recording changes in progress, in belief that in design just like in life, nothing should be taken for granted.
All these original models are collector’s items all bearing the original seal, a guarantee of authenticity. In addition, each piece has its own paper certificate of authenticity, itself bearing the seal. Some models bear the signature of the designer.
SELECTED WORKS
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Nathalie Du Pasquier
Marmo, 2018
Collection: Materialism. Post Design.
Mahogany structure, seat in wood veneer, back in printed textile.
W 58, D 40, H 146 cm -
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Peter Shire
Brazil, 1981
Collection: Memphis Milano
Side table in lacquered wood, realized in a limited edition
of 7 pieces with a new colours combination (2018).
W 205, D 80, H 72 cm -
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Peter Shire
Big Sur, 1986
Collection: Memphis Milano
Couch in wool 100%. Structure in lacquered wood.
W 210, D 72, H 96 cm -
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Massanori Umeda
Ginza, 1982
Collection: Memphis Milano
Wooden robot with plastic laminate, shelves and drawers
W 150, D 42, H 175 cm -
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Ettore Sottsass
Tahiti, 1981
Collection: Memphis Milano
Table lamp with rotating head in polychrome enamelled
metal mounted on a plastic laminate base with black and
white Bacterio pattern. Bulb EU version 220V.
H 70 cm -
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Nathalie Du Pasquier
Quarzo, 2018
Collection: Materialism
Cupboard with draw in painted wood, structure and top in plastic laminate, doors with printed decoration
Size: W 80, D 40, H 120 cm
Limited edition of 25. -
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Nathalie Du Pasquier
Emerald, 1985
Sideboard in wood and plastic laminate with mirror and drawer
190 x 100 x 40 cm -
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Shiro Kuramata
Nikko, 1982
Collection: Memphis Milano
Drawers on metal structure,
in wood and painted finish
Size: H 170 cm -
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Ettore Sottsass
Beverly, 1981
Collection: Memphis Milano
Sideboard in wood covered with decorated plastic laminate and natural briar.
Two-door container with shelf.
W 175, D 48, H 228 cm -
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Ettore Sottsass
Carlton, 1981
Collection: Memphis Milano
Room divider, in wood and plastic laminate
W 190, D 40, H 196 cm